Stoner band mates escape Brooklyn after a mysterious blackout strikes, transforming everyone above ground into zombies. Hilarious complications arise

What do a group of foodies and a murder have in common? Lee Soo Kyung is a 33-year-old divorcee who is a composed, confident woman who is happy to be living alone after marrying way too early in life. But the only thing that can make her lose her cool composure is great food. Living next door is another foodie, Goo Dae Young, a single man who loves surrounding himself with gourmet food but hates being asked if he is dining alone at great restaurants. When a strange murder occurs in their neighborhood, how will their lives be intertwined?

Let's Eat follows the story of an immigrant mother and her daughter as they navigate through the beauty and challenges of life. Despite the difficulties they face, the warmth and love of family provides comfort and closeness, and cooking becomes a symbol of their unconditional love for one another.

Let's Eat follows the story of an immigrant mother and her daughter as they navigate through the beauty and challenges of life. Despite the difficulties they face, the warmth and love of family provides comfort and closeness, and cooking becomes a symbol of their unconditional love for one another.

In the crime world of Colombia, there is an unwritten code. When Víctor and Eusebio, two hoods who bungle a shake-down job, break that code, they unwittingly sign their own death sentence.

18 year old Jason Dorkel belongs to a community of gypsies. He is about to celebrate his baptism when his half-brother Fred returns after fifteen years in prison. Together, with their last brother, the violent, hot-headed Michael and their Christian activist cousin, the four young people set off on a binge among the "gadjos" in search of a cargo of copper.

A group of twenty-somethings, one of whom is a single father with a precious daughter, have been unsuccessful in getting into a certain club so they can have a chance to DJ there and start a career out of it. A series of events has lumbered them with a dog napping scheme gone badly wrong, ending up with them owning a particular pooch belonging to a dog-loving local drug dealer.

When Jake and his dream girl, Amanda, contract a mysterious zombie virus, they end up on the run from Cass, a teen psychic sent by the government's top-secret Necrotic Control Division to track them down as they search for a cure.

When Mali, the popular Omelet Chef is incited by his friends to enter the Omelet Cooking competition. So, he needs help from his gang Prince, Pleungsak, Kim and Namo to win the competition.

Eat the Document is a rarely exhibited documentary of Bob Dylan's 1966 tour of the United Kingdom with the Hawks. It was shot under Dylan's direction by D. A. Pennebaker, whose groundbreaking documentary Dont Look Back [sic] chronicled Dylan's 1965 British tour. The film was originally commissioned for the ABC television series Stage '66. According to Howard Sounes's biography, "Down the Highway: The Life of Bob Dylan", after his motorbike accident in July 1966, Dylan viewed a cut of the material edited by Pennebaker and Bob Neuwirth and thought it was too similar to Dont Look Back. 　　Dylan decided to re-edit the film himself, assisted by longtime associate Howard Alk. Dylan however. Pennebaker stated: "It's not something you learn parking cars in a garage. You gotta know some of the rules and he didn't know any of the rules." It can be assumed Dylan knew some of the rules (he had, after all, seen films) and that some of the unconventional editing choices were deliberate. Dylan and Alk's cut was eventually shown to ABC television, who promptly rejected it as incomprehensible to a mainstream audience.[1] 　　The film includes some powerful live performances of Dylan's songs of the period. It was never given a theatrical release or made commercially available on video, but unauthorized bootleg copies circulate among Dylan collectors. Also circulating in various bootleg formats is a long outtake featuring a possibly alcohol- or drug-impaired Dylan in a limousine with John Lennon. As Dylan shows signs of fatigue, Lennon urges him to get a grip on himself: "Do you suffer from sore eyes, groovy forehead, or curly hair? Take Zimdon!...Come come, boy, it's only a film. Pull yourself together."[2] Todd Haynes's film I'm Not There features a dramatisation of this conversation, with Cate Blanchett as Bob Dylan. 　　Highlights of the film include an interview with the Manchester Free Trade Hall concert-goer who shouted "Judas!" during the second, electric half of the set; the performances with the Hawks; the scenes of Dylan and Robertson in hotel rooms throughout England playing otherwise-unreleased songs; and a piano duet with Johnny Cash. 　　Some of the concert footage shot for Eat the Document - including the "Judas" incident in Manchester's Free Trade Hall - was used in Martin Scorsese's Dylan documentary, No Direction Home.